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      I'll never stay in a hostel again
      Eli Roth began shooting Super 8 films at the age of eight, after watching Ridley Scott's Alien (1979) and vomiting, and deciding he wanted to be a producer/director. With his brothers and friends, ketchup for blood and his father's power tools, he made over fifty short films before attending film... read more
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      Eli Roth began shooting Super 8 films at the age of eight, after watching Ridley Scott's Alien (1979) and vomiting, and deciding he wanted to be a producer/director. With his brothers and friends, ketchup for blood and his father's power tools, he made over fifty short films before attending film school at N.Y.U., where he won a student Academy Award and graduated Summa Cum Laude in 1994. He worked in film and theater production in New York City for many years, doing every job from production assistant to assistant editor to assistant to the director. At the age of 20 Roth was development head for producer Fred Zollo, a position he soon left to write full time. To earn a living, Roth did budgets and schedules for the films A Price Above Rubies (1998) and Illuminata (1998) and often worked as a stand-in, where he could watch directors work with the actors. In 1995, Roth co-wrote the script that would eventually become Cabin Fever (2002) with friend Randy Pearlstein, and the two spent many years unsuccessfully trying to get the film financed. Roth left New York in 1999 to live in Los Angeles, and within four months got funding for his animation series "Chowdaheads" (1999). Roth and friend Noah Belson (Cabin Fever (2002)'s Guitar Man) wrote and voiced the episodes, which Roth produced, directed and designed. The episodes were due to run on W.C.W.'s #1 rated series "WCW Monday Nitro" (1995) but the C.E.O. was fired a day before they were scheduled to air, and the episodes never ran. Roth used the episodes to set up a stop motion series called The Rotten Fruit (2003) (V) which he produced, directed and animated, as well as co-wrote and voiced with friend Belson. Between the two animated series, Roth worked closely with director David Lynch, producing content for the website davidlynch.com. In 2001, Roth filmed Cabin Fever (2002) on a shoestring budget of $1.5 million, with private equity he and his producers raised from friends and family. The film was the subject of a bidding war at the 2002 Toronto Film Festival, eventually won by Lion's Gate, instantly doubling their investors' money. It went on to not only be the highest grossing film for Lion's Gate in 2003, but the most profitable horror film released that year, garnering critical acclaim from The New York Times, Rolling Stone, Empire Magazine, and such filmmakers as Peter Jackson, Quentin Tarantino and Tobe Hooper . Roth used the film's success to launch a slew of projects, including Scavenger Hunt, a teen comedy he will write and direct for Universal Studios, and The Box, a horror thriller he is co-writing with Richard Kelly that Roth will also direct. In May of 2003, Roth joined forces with filmmakers Boaz Yakin, Scott Spiegel, and Greenestreet Films in New York to form Raw Nerve, LLC, a new production company that will produce 3-5 intense, scary, lower budget horror films annually.

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