John F. Kennedy Center for the Performing Arts Photos

2700 F Street NW

Washington, DC 20566 (map)

Website: Kennedy Center
The Kennedy Center, located on the banks of the Potomac River near the Lincoln Memorial in Washington, D.C., opened to the public in September 1971. But its roots date back to 1958, ...
Date Time Event title Watching
Nov 21 None A Streetcar Named Desire
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Nov 21 None Ballet 360° - Choreographers: Jerome Robbins
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Nov 21 None Lee Konitz Quartet
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Nov 21 None Joshua Bell
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Nov 21 1:30 pm National SO members / Kinderkonzert
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Nov 21 4:00 pm Muti Conducts Prokofiev's Romeo and Juliet
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Nov 21 4:00 pm National SO members / Kinderkonzert
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Nov 21 8:00 pm National SO, Wolff / Bell / MacMillan, Bruch, Mendelssohn
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Nov 19 None National Symphony Orchestra: Hugh Wolff, conductor/Joshua Bell, violin, plays Lalo
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Nov 22 None S&R Foundation presents: Tamaki Kawakubo, violin
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Nov 22 None Joshua Bell
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Nov 22 1:30 pm National SO, Wolff / Bell / MacMillan, Bruch, Mendelssohn
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Nov 24 None August: Osage County
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Nov 24 7:30 pm Pennsylvania Ballet / Tchaikovsky: The Nutcracker (Balanchine)
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Nov 24 7:30 pm Hagner (violin), Wosner (piano)
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Nov 25 None August: Osage County
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Nov 25 10:00 am Commission on Aging Meeting
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Nov 25 7:30 pm Pennsylvania Ballet / Tchaikovsky: The Nutcracker (Balanchine)
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Nov 27 None Marvin Hamlisch
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Nov 27 None Shirley Jones
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View all John F. Kennedy Center for the Performing Arts events (20 of 469 events shown)

 

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Description
The Kennedy Center, located on the banks of the Potomac River near the Lincoln Memorial in Washington, D.C., opened to the public in September 1971. But its roots date back to 1958, when President Dwight D. Eisenhower signed bipartisan legislation creating a National Cultural Center. To honor Eisenhower's vision for such a facility, one of the Kennedy Center's theaters is named for him.

The National Cultural Center Act included four basic components: it authorized the Center's construction, spelled out an artistic mandate to present a wide variety of both classical and contemporary performances, specified an educational mission for the Center, and stated that the Center was to be an independent facility, self-sustaining and privately funded. As a result of this last stipulation, a mammoth fundraising campaign began immediately following the Act's passage into law.

President John F. Kennedy was a lifelong supporter and advocate of the arts, and frequently steered the public discourse toward what he called "our contribution to the human spirit." Kennedy took the lead in raising funds for the new National Cultural Center, holding special White House luncheons and receptions, appointing his wife Jacqueline and Mrs. Eisenhower as honorary co-chairwomen, and in other ways placing the prestige of his office firmly behind the endeavor.

President Kennedy also attracted to the project the man who would become the Center's guiding light for nearly three decades. By the time Kennedy appointed him as chairman of the Center in 1961, Roger L. Stevens had already achieved spectacular success in real estate (i.e. negotiating the sale of the Empire State Building in 1951), politics, fundraising, and the arts; as a theatrical producer, he had brought West Side Story, A Man for All Seasons, and Bus Stop to the stage. Over the next 30 years, Stevens would oversee the Center's construction, then would shepherd it to prominence as a crucible for the best in music, dance, and theater.

Two months after President Kennedy's assassination in November 1963, Congress designated the National Cultural Center (designed by Edward Durell Stone) as a "living memorial" to Kennedy, and authorized $23 million to help build what was now known as the John F. Kennedy Center for the Performing Arts. Fundraising continued at a swift pace--with much help coming from the Friends of the Kennedy Center volunteers, who fanned out across the nation to attract private support [View profiles of Friends/Volunteers Founding members]--and nations around the world began donating funds, building materials, and artworks to assist in the project's completion. In December 1965, President Lyndon Johnson turned the first shovelful of earth at the Center's construction site, using the same gold-plated spade that had been used in the groundbreaking ceremonies for both the Lincoln Memorial in 1914 and the Jefferson Memorial in 1938.

From its very beginnings, the Kennedy Center has represented a unique public/private partnership. As the nation's living memorial to President Kennedy, the Center receives federal funding each year to pay for maintenance and operation of the building, a federal facility. However, the Center's artistic programs and education and outreach initiatives are paid for almost entirely through ticket sales and gifts from individuals, corporations, and private foundations.

The Center made its public debut on September 8, 1971, with a gala opening performance featuring the world premiere of a Requiem mass honoring President Kennedy, a work commissioned from the legendary composer and conductor Leonard Bernstein. The occasion enabled Washington to begin earning a reputation as a cultural hub as well as a political one; as The New York Times wrote in a front-page article the next morning, "The capital of this nation finally strode into the cultural age tonight with the spectacular opening of the $70 million Kennedy Center...a gigantic marble temple to music, dance, and drama on the Potomac's edge."

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