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When

Jan 13, 2009 (Tuesday) to

Jan 18, 2009 (Sunday)

Where

John F. Kennedy Center for the Performing Arts

2700 F Street NW
Washington, DC 20566
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What
St. Petersburg's magnificent company returns with the full-length Don Quixote, Petipa's delightful interpretation of Cervantes's tale of romance, chivalry, and bitterswe...
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Description
St. Petersburg's magnificent company returns with the full-length Don Quixote, Petipa's delightful interpretation of Cervantes's tale of romance, chivalry, and bittersweet emotion.
  • Jan 13 - 18, 2009
  • Opera House
  • 2 hours, 40 minutes
  • $47.00 - $135.00


Mariinsky Ballet (formerly Kirov)
Valery Gergiev, Artistic Director
Yuri Fateyev, Deputy Director of the Ballet Company

Don Quixote
Choreography by Alexander Gorsky after Marius Petipa
Music by Ludwig Minkus

"Sensationally spirited...classical ballet at its most free and joyous!"
--San Francisco Chronicle

"A dance-packed feast of humor, romance, and a touch of fantasy...this bustling Russian classic is still hard to resist."
--The Times of London

Boasting an artistic legacy that spans more than 200 years, St. Petersburg's Mariinsky Ballet (formerly Kirov) follows its sold-out 2008 performances of La Bayadere with yet another master ballet in its repertory: Don Quixote. Based on Miguel de Cervantes's sweeping tale of romance and chivalry, the Mariinsky's whimsical production follows the knight-errant of la Mancha, who sets out to defend virtue and punish those who violate the code of honor. With his servant Sancho Panza as his armor-bearer, he travels to Barcelona, only to mistake Kitri, an innkeeper's daughter in love with a barber, for his beloved Dulcinea. Brimming with magnificent virtuoso and ensemble dancing--from the colorful caravan of gypsies, to Espada the fiery toreador, to the entrancing Queen of the Dryads in the famous ballet blanc dream sequence--Don Quixote is the mightyMariinsky at its best.

NOTE: Due to Inaugural events scheduled throughout the city between Jan. 17-20,patrons attending performances at the Kennedy Center should allow extra time for transportation. Please visit:

http://uspppressroom.blogspot.com/2009/01/united-states-park-police-road-closures.html


CASTING
Tue., Jan. 13 at 7:30 p.m.
Kitri: Diana Vishneva
Bazil: Evgeny Ivanchenko

Wed., Jan. 14 at 7:30 p.m.
Kitri: Alina Somova (casting updated on 1/8)
Bazil:Vladimir Shklyarov (casting updated on 1/8)

Thu., Jan. 15 at 7:30 p.m.
Kitri:Viktoria Tereshkina
Bazil: Andrian Fadeyev

Fri., Jan. 16 at 7:30 p.m.
Kitri: Diana Vishneva
Bazil:Evgeny Ivanchenko

Sat., Jan. 17 at 1:30 p.m.
Kitri: Evgenya Obraztsova
Bazil: Vladimir Shklyarov

Sat. Jan. 17 at 7:30 p.m.
Kitri: Alina Somova
Bazil:Evgeny Ivanchenko (casting updated on 1/8)

Sun., Jan. 18 at 1:30 p.m.
Kitri:Viktoria Tereshkina
Bazil: Andrian Fadeyev

Running Time: Approximately 2 hours, 40 minutes
Act I: 42 min.
Intermission: 20 min.
Act II: 25 min.
Intermission: 20 min.
Act III: 47min.
Cost
$47.00 - $135.00
More about John F. Kennedy Center for the Performing Arts
John F. Kennedy Center for the Performing Arts
The Kennedy Center, located on the banks of the Potomac River near the Lincoln Memorial in Washington, D.C., opened to the public in September 1971. But its roots date back to 1958, when President Dwight D. Eisenhower signed bipartisan legislation creating a National Cultural Center. To honor Eisenhower's vision for such a facility, one of the Kennedy Center's theaters is named for him.

The National Cultural Center Act included four basic components: it authorized the Center's construction, spelled out an artistic mandate to present a wide variety of both classical and contemporary performances, specified an educational mission for the Center, and stated that the Center was to be an independent facility, self-sustaining and privately funded. As a result of this last stipulation, a mammoth fundraising campaign began immediately following the Act's passage into law.

President John F. Kennedy was a lifelong supporter and advocate of the arts, and frequently steered the public discourse toward what he called "our contribution to the human spirit." Kennedy took the lead in raising funds for the new National Cultural Center, holding special White House luncheons and receptions, appointing his wife Jacqueline and Mrs. Eisenhower as honorary co-chairwomen, and in other ways placing the prestige of his office firmly behind the endeavor.

President Kennedy also attracted to the project the man who would become the Center's guiding light for nearly three decades. By the time Kennedy appointed him as chairman of the Center in 1961, Roger L. Stevens had already achieved spectacular success in real estate (i.e. negotiating the sale of the Empire State Building in 1951), politics, fundraising, and the arts; as a theatrical producer, he had brought West Side Story, A Man for All Seasons, and Bus Stop to the stage. Over the next 30 years, Stevens would oversee the Center's construction, then would shepherd it to prominence as a crucible for the best in music, dance, and theater.

Two months after President Kennedy's assassination in November 1963, Congress designated the National Cultural Center (designed by Edward Durell Stone) as a "living memorial" to Kennedy, and authorized $23 million to help build what was now known as the John F. Kennedy Center for the Performing Arts. Fundraising continued at a swift pace--with much help coming from the Friends of the Kennedy Center volunteers, who fanned out across the nation to attract private support [View profiles of Friends/Volunteers Founding members]--and nations around the world began donating funds, building materials, and artworks to assist in the project's completion. In December 1965, President Lyndon Johnson turned the first shovelful of earth at the Center's construction site, using the same gold-plated spade that had been used in the groundbreaking ceremonies for both the Lincoln Memorial in 1914 and the Jefferson Memorial in 1938.

From its very beginnings, the Kennedy Center has represented a unique public/private partnership. As the nation's living memorial to President Kennedy, the Center receives federal funding each year to pay for maintenance and operation of the building, a federal facility. However, the Center's artistic programs and education and outreach initiatives are paid for almost entirely through ticket sales and gifts from individuals, corporations, and private foundations.

The Center made its public debut on September 8, 1971, with a gala opening performance featuring the world premiere of a Requiem mass honoring President Kennedy, a work commissioned from the legendary composer and conductor Leonard Bernstein. The occasion enabled Washington to begin earning a reputation as a cultural hub as well as a political one; as The New York Times wrote in a front-page article the next morning, "The capital of this nation finally strode into the cultural age tonight with the spectacular opening of the $70 million Kennedy Center...a gigantic marble temple to music, dance, and drama on the Potomac's edge."

Phone: (800) 444-1324

View all John F. Kennedy Center for the Performing Arts events

Event details may change at any time, always check with the event organizer when planning to attend this event or purchase tickets.

 

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