92.9 THE MOUNTAIN WINTER WONDERJAM WITH TRAIN & FIVE FOR FIGHTING

thursday December 10
7 pm doors / 8 pm showtime
92.9 THE MOUNTAIN WINTER WONDERJAM WITH TRAIN & FIVE FOR FIGHTING (Rock)
with Ryanhood
all ages

ON SALE NOW

Pat Monahan - vocals Jimmy Stafford - guitar

Over the course of 15 years, Train has made its mark on music history with their Grammy-Award-winning song "Drops of Jupiter (Tell Me)" and chart-topping singles "Meet Virginia" and "Calling All Angels." Since forming in San Francisco in 1994, the multi-platinum selling band has traveled a long, successful and sometimes arduous journey. Following their 2006 release, For Me, It's You, the band took a three-year hiatus, and in that time, Train has, for all intents and purposes, experienced an epiphany as a whole. Now, with their fifth album, Save Me San Francisco, Train has channeled their early days, revisiting the roots rock sound that has made the band such a tour de force - and, in turn, the band is united stronger than ever before.

"I think taking time away from each other really made the heart grow fonder," frontman Pat Monahan says of the break. "We realized how important we were to one another and taking a few years off helped us all really look at ourselves and what we could contribute to this band as opposed to what we weren't getting from the band."

When looking back, Train credits the city of San Francisco with cultivating the band's identity and foundation, so it's no wonder than the title track of the record would pay homage to the Bay Area metropolis the band holds so dear. "We owe all of our gratitude to San Francisco because they embraced us back when, if they hadn't have, no one would have," Monahan explains. "Basically, this album is our way of paying tribute, giving thanks and also recognizing that we kind of need San Francisco to OK this band before anybody else does. Those were the best times of our lives - even though we didn't know it - living in San Francisco and struggling to make a band work."

"Save Me San Francisco" is an autobiographical account of Train's beginnings, and embodies not only the spirit of the album, but also the soul of Train as a band. The song's lyrics take the listener through the three-piece's humble start in the mid-90s up through the time when Monahan, in particular, left the City by the Bay. "It's very related to my existence, but Jimmy, Scott and I have been through a lot together in the last 14-15 years, so it represents a lot to them, too, because they don't reside in San Francisco anymore, and we all miss it."

Train spent April and May of 2009 holed up in London's Kensaltown Studios with producer Martin Terefe (KT Tunstall, Jason Mraz, James Morrison) with whom Monahan credits with helping the band "get back to the roots of the first record." "It was an incredibly refreshing environment that Martin created for the band," the singer says. "I'm really appreciative of his approach on things because he's really great at what he does. I had more fun making this record than ever in my life. I think I've made seven records and it was far the most fun."

Save Me San Francisco taps into Train's organic sound, recalling the blues and folk-infused rock that put the band on the map from the start. "It's pretty basic," Monahan explains of the record. "But really cool because there's super catchy riffs and melodies in it, which I think are way more important that any production trick or great-sounding vocal production. It's kind of us going backward so we can go forward." It is befitting that the focus of Save Me San Francisco is as uncomplicated as the record sounds. Monahan explored the age-old concept of love through his signature storytelling lyrics and the album, as he explains, is "about love in every way you can about it."

"There are certain songs that, instead of there being an intention, there was almost a theme," he says. "I think a lot of the way I wrote on this wasn't necessarily, 'Hey, this reminds me of a situation I was in,' but more how I see certain things being lived out in life, whether it's from myself or someone else's perspective."

In this day and age, career artists are few and far between, and after a decade and a half of being a band, Train is ready to present one of their strongest efforts to date. Monahan recognizes the band's accomplishments, and, as he states so clearly, is more than grateful for the success they have experienced. However, for a band as consummate as Train is, Monahan still sets his goals high and hopes the band's fans will continue to come along for the ride.

"I still remember what it's like to paint houses," he recalls. "I had fun because I loved the people that I worked with, but it's really not what I want to do - not because it's a degrading job or anything, but because when I'm on stage I feel so much more connected to who I think I truly am. I just want to stay connected to the highest level myself can be and I think it comes through music. With that said, I'll never stop wanting to sell out Madison Square Garden, so my goals are very simple, but they're pretty big at the same time. I think Train fans who have watched the good and the bad, have been a part of all of it and have loved some of the music and not liked some of the music, are really going to like this record a lot -- I think, much more than they have in years."


Five for Fighting is the one-man band of John Ondrasik, who rose to fame in 2001 on the strength of the pop/rock ballad "Superman (It's Not Easy)." Although originally released in 2000, the single became popular after the events of September 11, 2001, which shone new light on Five for Fighting's tale of flight, insecurity, and heroics. Another Top 40 hit, "100 Years", followed three years later, thus cementing Five for Fighting's status as one of the decade's leading balladeers. Born and raised in the San Fernando Valley of Los Angeles, Ondrasik started his musical training when he was only two years old. His mother, a piano teacher, gave him lessons, and he began turning his attention to guitar at the age of 13. He taught himself to use the latter instrument and soon began writing music. Somewhere along the way, he also took vocal lessons in opera. After discovering that opera wasn't his cup of tea, Ondrasik shifted his focus once again, this time turning to artists like Billy Joel, Journey, Elton John, Stevie Wonder, and Earth, Wind & Fire for inspiration.

Using the stage name Five for Fighting -- a term he appropriated from ice hockey's rule book -- Ondrasik made his major-label in 1997 by releasing Message for Albert. He then left the roster of his original label, Capitol Records, and signed with Columbia before issuing America Town. Released in 2000, the album furthered Ondrasik's themes of love and life while adding a political spin, a combination that yielded warm reviews but sluggish sales. America Town might have been another strong outing from a talented (yet commercially invisible) songwriter were it not for the tragic events of September 11, 2001, and the nation's subsequent embrace of the delicate piano ballad "Superman (It's Not Easy)." Five for Fighting performed the song at the Concert for New York City that winter, and America Town went platinum several months later.

While it was a bittersweet way to find fame, the single's success gave Ondrasik the artistic license he'd always craved. When The Battle for Everything appeared in early 2004, it was Five for Fighting's most stylistically ambitious and lyrically bold recording to date. It also yielded another high-charting single, "100 Years." 2006's Two Lights continued Ondrasik's exploration of blue-collar America by focusing on love, mortality, war, and family. A concert album entitled Back Country Live arrived in 2007, followed by Slice -- featuring several songs co-written by musical theater composer Steven Schwartz -- in October 2009. Charlotte Dillon & Andrew Leahey, All Music Guide

Presented by 92.9 The Mountain

$31 general admission advance
$36 reserve seated balcony
* prices may be subject to service fees