Music Gallery (Toronto, Canada)

197 John St
Toronto,
ON
Canada
(map)
| Date | Time | Event title | Watching | |
|---|---|---|---|---|
| Nov 24 | None | Karen Justl Installation: "I Think She's Dead" | ||
| Nov 27 | 9:00 pm | Bruce Peninsula with The Good Right Arm String Band and The Youngest Buy tickets | ||
| Nov 28 | 9:00 pm | Bruce Peninsula with The Gertrudes and Ghost Bees Buy tickets | ||
| Dec 5 | None | Young Composers' Workshop with Philippe Leroux | ||
| Dec 6 | None | Concert: The Music of Philippe Leroux | ||
| Dec 11 | 9:00 pm | The Ship of Fools featuring Alexander Hacke and Danielle de Picciotto Buy tickets | ||
| Feb 12, 2010 | 8:00 pm | The DoneFors - Janine Stoll | ||
| Feb 13, 2010 | None | Quasar Saxophone Quartet | ||
| Mar 6, 2010 | None | Red Chamber |
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Venue details: Music Gallery in Toronto, Canada
Description
Since 2001, The Music Gallery has found a home at St. George the Martyr Church, located at 197 John St., at the southern end of Grange Park, in close promixity to the Ontario College of Art and Design and the Art Gallery of Ontario. Currently programmed by Jonathan Bunce and John Gzowski, who were named co-artistic directors in 2006, the Music Gallery presents or co-presents more than 50 concerts per year. A variety of art music genres are represented in the five streams of programming, including contemporary classical, chamber and electro-acoustic music (Classic Avant series), free jazz and improv (Jazz Avant series), avant-rock, pop, folk and electronic music (Pop Avant series), and musics from the non-Western world (World Avant series), as well as interdisciplinary presentations involving dance, theatre, film, video and installation art (Inter Avant series). The Music Gallery season launches annually with the X Avant new music festival, first held in September 2006, and featuring cross-programming from all five concert series, and a mix of international and local artists. The Music Gallery is active in supporting Canadian new music artists on tour, in collaborating with other presenters to stage events, in developing emerging artists through its pay-what-you-can Progress series, and in deepening the public’s understanding of the music-making process through workshops and artist’s talks.
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