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When

Jan 9, 2009 (Friday)

Where

Seattle Art Museum (map)

1300 First Avenue
Seattle, WA 98101
What
Projecting Cultures: Native Voices and the Moving Image Kla Ah Men: As Far Back as the Story Goes January 9, 2009 6:30-8:30 pm Plestcheeff Auditorium Offered during the closing week...
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Description
Projecting Cultures: Native Voices and the Moving Image
Kla Ah Men: As Far Back as the Story Goes
January 9, 2009
6:30-8:30 pm
Plestcheeff Auditorium

Offered during the closing weekend of S'abadeb-The Gifts: Pacific Coast Salish Art and Artists, this two-day Native film showcase explores the cross-pollination of Native peoples and traditions and contemporary cultures.

The festival kicks off on Friday with a special screening of Kla Ah Men: As Far Back as the Story Goes (2004), acclaimed actor Evan Adams's debut documentary about his people, the Coast Salish. Elders and tribal leaders voice their concerns on issues facing the community, their struggle to regain themselves and their place, and the history-making treaty process being undertaken with the government of British Columbia. A question-and-answer session with filmmaker Evan Adams and a reception will follow the screening. Beta SP, color, 87 min.

Members: $20
Adults: $25

Prices above are for entire film festival (five screenings). Tickets for individual screenings: nonmembers $7, students and seniors $6, SAM members $5.

Tickets may be purchased at the Ticketing Desk at any of SAM's three sites or over the phone with a credit card by calling the Box Office at 206.654.3121.

More about Seattle Art Museum
Seattle Art Museum
City/neighborhood: Downtown Hours: 10 a.m.-5 p.m. Tuesday through Sunday, extended hours until 9 p.m. on Thursday and Friday Parking: Paid parking, Street parking Related info: Gallery GuideNeighborhood art walks With a recent addition, Seattle Art Museum has effectively tripled its exhibition space and increased the size of its permanent collection by 1,000 pieces. The original Robert Venturi-designed museum is now the back door to Brad Cloepfil's enormous new space -- and while the new SAM may look anonymous, even cold from the street, inside it's a different story. Natural light pours into airy spaces (adjustable shades on the building's façade protect the art from UV damage), and high ceilings give the art room to breathe.And there's an awful lot of art to fill those new walls. You'll find Japanese pop art by the likes of Yoshitomo Nara and Takashi Murakami; abstracts by Marcel Duchamp and Ellsworth Kelly; classic European works by Paolo Uccello and Peter Paul Rubens; and awe-inspiring pieces by Constantin Brancusi and Cai Guo-Qiang, whose "Inopportune: Stage One" -- a series of tumbling, "exploding" cars -- is as playful as it is iconic. SAM's collection of Asian, African, Mesoamerican and Northwest art remains without peer, and those who go to art museums expecting to see big names -- Botticelli, Pollock, Arbus -- will not be disappointed. This is a proper big-city museum, perfect for a forward-looking metropolis.By Geoff CarterNWsource staff

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