A great performance of Rachmaninoff's Piano Concerto No. 3 in San Diego

Here's the Wikipedia description:

Sergei Rachmaninoff's Piano Concerto No. 3 in D minor, Op. 30 (colloquially known as The Rach 3) is famous for its technical and musical demands on the performer. It is commonly known as the most difficult piano concerto in the standard repertoire.

Following the form a standard concerto, the piece is in three movements:

The third movement follows the second without pause (attacca).

Written in the peaceful setting of his family's country estate, Ivanovka, the concerto was completed on September 23, 1909. Rachmaninoff wrote this piece in order to showcase his own talents not only as a composer, but as a pianist. Contemporary with this work are his first piano sonata, his fairly well-known tone poem The Isle of the Dead and his setting of the liturgy.

The concerto is respected, even feared, by all pianists. Józef Hofmann, the pianist to whom the work is dedicated, never attempted to play it, saying that it "wasn't for" him. Due to time constraints, Rachmaninoff could not practice the piece while in Russia. Instead, he took a silent keyboard with him on a ship to the US, on which he began and completed the work.

The famous beginning of the piano part: It was first performed on November 28, 1909 by the New York Symphony Society with Walter Damrosch conducting and Rachmaninoff appearing as the guest artist on piano. It received a second performance under Gustav Mahler several weeks later, an 'experience Rachmaninoff treasured' [1]. The manuscript was first published in 1910 by Gutheil. The first performance in England was given by G T Ball (later Sir George Thalben-Ball) at the Royal College of Music in London. A typical performance lasts around 45 minutes, compared to the typical concerto length of 20-30 minutes.

It was popularized by the 1996 film Shine, which portrayed the famous Australian pianist David Helfgott performing "the hardest piece in the world" for a concerto competition at the Royal College of Music in England.

Among the most popular recordings of the concerto are those by Vladimir Horowitz (particularly the 1951 recording with Fritz Reiner and the RCA Symphony Orchestra), Earl Wild, Stephen Hough, Martha Argerich, Van Cliburn, Evgeny Kissin, Vladimir Feltsman and Rachmaninoff's own.