From the hell they came… 30 years ago in a small town in New Jersey called Lodi. It was there, at the dawn of the punk movement in April 1977, that the Misfits were born. Taking for their name the title of Marilyn Monroe's final movie, they set out to make an impression. They wound up making history and creating a legacy which has withstood the test of time. Today, boasting a massive catalog of music old and new, a new lineup and an influence felt around the world, the Misfits are generating more interest than ever before. From its inception, the Misfits were primal. Their music was aggressive, confrontational and dangerous with violent lyrics as seen through the eyes of a monster, coupled with timeless vocal melodies bred from 1950’s rock and roll. Immortalizing black and white B horror films in their music, the Misfits developed a ghoulish and totally unique persona, from their hand made musical weapons to the stiletto hairstyle they called the “devil locks.” It was the early days of punk and they had created a rebellion all their own. Thirty years on, the Misfits have endured hardcore’s heyday as punk rock’s monster squad, a band whose cult following – a pseudo-secret coven known as the Fiend Club – inspired them to continue to write, record and tour. These “Fiends” (as their fans are known), which are still multiplying globally, go back now several generations and also includes many artists. In fact, bands across the spectrum of rock have offered their tribute by covering the band’s material, including Guns ‘n Roses, with the classic Misfits song "Attitude;" My Chemical Romance who revisited the classic “Astro Zombies” for the soundtrack to “Tony Hawk’s American Wasteland” video game; Hatebreed with their namesake song “Hate Breeders” on their upcoming Fall 2008 release “For The Lions” and Metallica who covered no less than three Misfits songs on their double CD set "Garage Days Revisited," while hailing the band as a key influence on their music. A tribute album entitled VIOLENT WORLD featured the likes of Prong, NOFX and Sick of It All.
Reverend Horton Heat
Recently, the Reverend Horton Heat, aka Jim Heath, had something along the lines of what he calls an epiphany. He's a little tired of being taken so seriously-well, maybe not seriously, exactly, but you get the idea-and lately he's noticed that some of his funnier, country-tinged songs were his biggest crowd pleasers. Besides, being entertaining is what this is all about, right? So, ladies and gents, roll your smokes up in your sleeve and hold on to your cowboy hats, it's time to take a trip back to a time before slick, over-produced country became the norm-a time when outlaws wrote songs about being without a pot to piss in-or at least about psycho exboyfriends and deadbeat girlfriends that spend your paycheck faster than you can say Lone Star. Welcome to Laughin' and Cryin' with the Reverend Horton Heat a record full of country-heavy tunes about bad habits, well-meaning but clueless husbands, ever-expanding beer-guts and, well, Texas. It wouldn't be a Reverend Horton Heat record without a song or-in this case, two-about the Lone Star State. And, while Laughin' and Cryin' marks a detour from the hard driving punkabilly of the Rev's last record, 2004's Revival, this time tending toward honk, there's still some shit-kickers ["Death Metal Guys"] to let you know that Heath and crew still mean business. "I really wanted to capture the feelings of recordings of the late '50s, early '60s," Heath said of the songs on the new record. Exhibit A: Beer Holder, a honky-tonker about a guy who finds the table by his chair a bit too far of a stretch-so he opts for a new "beer holder," his growing gut. While this guy finds his solution genius, his woman thinks otherwise. "[The record is] kind of from a regular guy point of view," Heath said. "You know, I like to do stuff that's kind of tongue-in-cheek that makes fun of the good old boy thing as much as trying to glorify the country boy thing." Heath originally conceived the new record as the product of an alter ego, Harley Hog, a sort of "laughing and crying" singer.
Cost: 21.00 to 23.00
Categories: Concerts & Tour Dates
Sorry, you missed The Misfits at The Chance.
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Sorry, you missed The Misfits at The Chance.
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You missed The Misfits at The Chance.
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