The Red Chord pics

Death Metal / Grindcore / Progressive

The Red Chord engages a sensory onslaught with their new Metal Blade Release Prey for Eyes. A sprawling enigma, the album traverses nightmarish soundscapes with mind-bending time changes, gnashing guitars and schizophrenic vocals. Guitarist Mike “Gunface” McKenzie couples bludgeoning riffs with haunting chord passages. Brad Fickeisen furiously propels the tracks with de...

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    Bio
    The Red Chord engages a sensory onslaught with their new Metal Blade Release Prey for Eyes. A sprawling enigma, the album traverses nightmarish soundscapes with mind-bending time changes, gnashing guitars and schizophrenic vocals. Guitarist Mike “Gunface” McKenzie couples bludgeoning riffs with haunting chord passages. Brad Fickeisen furiously propels the tracks with demonic double bass drumming as Greg Weeks bolts down a rhythmic freight train. Vocalist Guy Kozowyk is the ringmaster of this sonic horror show. His lyrics delve into the psyches of insane inmates, anarchist recluses and gods with a vengeance for pop music. This is dangerous and thought provoking music that transcends genres. This is Prey for Eyes.

    The Red Chord have been crafting intriguing heavy music since their independent debut Fused Together in Revolving Doors in 2002. Combining elements of grindcore, death metal and hardcore, that release established them as one of the premier Massachusetts extreme metal acts. In 2005, Metal Blade released the follow-up Clients, a tortured concept album about mental patients, drug addicts, the homeless and the desperate and downtrodden. While they decimated crowds worldwide touring with the likes of Gwar, High On Fire, Between the Buried and Me, Unearth, Every Time I Die and Hatebreed, as well as stints on Ozzfest 2006 and Sounds of the Underground 2005, Clients established The Red Chord as innovators in the burgeoning underground metal scene by staying away from the cliché trappings that crippled some of their contemporaries.

    In early 2007, the band began constructing Prey for Eyes with producer and engineer Eric Rachel (The Black Dahlia Murder, Atreyu) at Trax East. The record is an immense evolution from Clients. Guy states, “Every song on the new album, for the most part, is a sketch of something that could probably take twenty minutes to explain. It’s similar to Clients since every song has a backbone that could’ve been a story. However, Clients was based on this closed environment where I was working. While writing this album, I was all over the world meeting people. So Prey for Eyes is based on dreams, conversations, books, random instances and occurrences. There was also a lot of different ground that I wanted to cover in terms of these weird, trippy dreamscapes and real crazy shit I’ve thought of for a long time.” In order to tell these tales, Guy has also fine-tuned his voice like a weapon, destroying with an intelligible, distinct scream.
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