Brother
Indie / Rock / Jam Band
Ten years ago, two Aussie brothers packed up their didges, bagpipes and guitars, left country NSW for Los Angeles, hooked up with a drummer from Perth then proceeded to build themselves a cult following in the US as ‘BROTHER’, touring clubs, theatres and massive outdoor festivals - with no record label, no publicist, no stylist, no hairdresser, no agent. Having won rave...
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Ten years ago, two Aussie brothers packed up their didges, bagpipes and guitars, left country NSW for Los Angeles, hooked up with a drummer from Perth then proceeded to build themselves a cult following in the US as ‘BROTHER’, touring clubs, theatres and massive outdoor festivals - with no record label, no publicist, no stylist, no hairdresser, no agent. Having won rave reviews for its out-there, genre-bending show, ‘BROTHER’ has sold more CDs in North America than any other Aussie 100% indie and has been featured in the US music press as a DIY role model.
In a textbook example of under the radar success, the band regularly takes US festivals and theatres by storm; has played a Rock & Roll Hall of Fame Summer series (in a weird triple bill with Linkin Park and Alicia Keys); set up a self-financed label and publishing company, Rhubarb Records; sold out LA’s iconic Troubador club; locked out The Mint (US fire marshals were called to manage unexpected crowds) and has soundtrack credentials which include placements on ER, Twilight Zone and BARAKA; all without anyone in Oz having heard of them.
‘When we left Sydney for LA a decade ago, neither of us thought the future would hold a near-death road crash; sharing beds in the worst motels; surviving a cynical music industry and a run of bad deals – but here we are,” says sibling elder, Hamish. “We’ve made it through without ripping each other’s throats out and have managed to make some pretty tasty noise along the way.”
In a textbook example of under the radar success, the band regularly takes US festivals and theatres by storm; has played a Rock & Roll Hall of Fame Summer series (in a weird triple bill with Linkin Park and Alicia Keys); set up a self-financed label and publishing company, Rhubarb Records; sold out LA’s iconic Troubador club; locked out The Mint (US fire marshals were called to manage unexpected crowds) and has soundtrack credentials which include placements on ER, Twilight Zone and BARAKA; all without anyone in Oz having heard of them.
‘When we left Sydney for LA a decade ago, neither of us thought the future would hold a near-death road crash; sharing beds in the worst motels; surviving a cynical music industry and a run of bad deals – but here we are,” says sibling elder, Hamish. “We’ve made it through without ripping each other’s throats out and have managed to make some pretty tasty noise along the way.”
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