Mason Jennings

It all kinda started at Christmas when my sons and I were hanging ornaments on the tree. We have an ornament that is a little electric guitar and my six-year-old son was looking at it and asked, “What’s this Dad?”

I said, “What??? It’s an electric guitar.”

To which he replied, “What’s that?”

Well, I was kinda horrified so I ran downstairs and pulled out an old hollowbody electric (that is my wife’s), an amp and I came upstairs, plugged it in and ripped into “My Generation” by The Who. Well, my one son actually climbed me in point 2 seconds and leaped off my shoulders while the other one looked like I had plugged the lights on the tree into him. They flew around the room dancing for two straight wonderful hours. I got the point. I grew up playing only electric and it was like remembering how to be free. For many reasons, it was so needed. So I got free.

The next week I headed into my studio and recorded “City Of Ghosts” and away I went. I wrote about the war and being a parent in “The Field”, two topics close to my heart. I wrote about being a teenager and how heavy that time can feel and how it can shape the path you take. So, gratitude is in there somewhere. I wrote about doubts and fear, about God and Spirit, and about hope and possibility and things that are elusive and hard to name. I wrote mostly about them, and they came into the room like angels and beasts.

This whole time I knew the record would be called Blood Of Man. I also kept hearing two phrases in my head during recording. Maybe you can decipher them, for I know not where they come from or what they mean exactly: “Do you remember when the world was young?” and “In the beginning there was blood on the lamb.” Whew.

I wrote about how hard it is to be 34 and be a parent and sane and married and true and positive and yourself and a man and funny and a decent person and a not decent person and human and in love. I turned the music up so loud so often that my ears rang every night. I wrote about death, of course. I wrote about life. I wrote about pain and addiction. And I let it flow and left it raw. I worked fast and I let my heart lead.

I guess I have come to the point in my life and my art where I just want to make music that I love and not mess with it. If people dig it: cool. If not: cool. I will be making it anyway. I have to. I realized that too. By the grace of god: I have to make music. More importantly: I get to.

Also, before anything, I am a music listener. So, this record has not been messed with in any way. What you have is exactly the music I listen to in my van and the way I have given it to my friends on CD-Rs. My hope is that it can help where help is needed. Music saved my life and I am so grateful for it. Thank you for listening. Rock.

Mason Jennings
Minnesota