BEGIN:VCALENDAR
METHOD:PUBLISH
CALSCALE:GREGORIAN
PRODID:-//EVDB//www.eventful.com//EN
VERSION:2.0
X-WR-CALNAME:AHMAD JAMAL in New York City at Blue Note - Eventful
BEGIN:VEVENT
DTSTART:20080511T223000
DTSTAMP:20080501T065010Z
SUMMARY:AHMAD JAMAL
DESCRIPTION: FEATURING: Ahmad Jamal\, piano James Cammack\, bass Idris
	 Muhammad\, drums Manolo Badrena\, percussion  Critic Stanley Crouch c
	ites AHMAD JAMAL's impact on the fresh form in jazz as an outstanding 
	conceptionalist. Crouch consider's Mr. Jamal's distinctive style as ha
	ving had an influence on the same level as "Jelly Roll Morton\, Fletch
	er Henderson\, Duke Ellington\, Art Tatum\, Count Basie\, Theolonius M
	onk\, Horace Silver and John Lewis\, all thinkers whose wrestling with
	 form and content influenced the shape and texture of the music\, and 
	whose ensembles were models of their music visions." Considering his t
	rio "an orchestra"\, Mr. Jamal not only achieves a unified sound\, but
	 subtly inserts independent roles for the bass and drums. The hallmark
	s of Mr. Jamal's style are rhythmic innovations\, colorful harmonic pe
	rceptions\, especially left hand harmonic and melodic figures\, plus p
	arallel and contrary motion lines in and out of chordal substitutions 
	and alterations and pedalpoint ostinato interludes in tasteful dynamic
	s. He also incorporates a unique sense of space in his music\, and his
	 musical concepts are exciting without being loud in volume. Augmented
	 by a selection of unusual standards and his own compositions\, Mr. Ja
	mal impressed and influenced\, among others\, trumpeter Miles Davis. L
	ike Louis Armstrong\, Mr. Jamal is an exemplary ensemble player -- lis
	tening while playing and responding\, thus inspiring his musicians to 
	surpass themselves. Audiences delight in Mr. Jamal's total command of 
	the keyboard\, his charasmatic swing and daringly inventive solos that
	 always tell a story. In 1951\, Mr. Jamal first recorded Ahmad's Blues
	 on Okeh Records. His arrangement of the folk tune Billy Boy\, and Poi
	nciana (not his original composition)\, also stem from this period. In
	 1955\, he recorded his first Argo (Chess) Records album that included
	 New Rhumba\, Excerpts From The Blues\, Medley (actually I Don't Want 
	To Be Kissed)\, and It Ain't Necessarily So -- all later utilized by M
	iles Davis and Gil Evans on the albums "Miles Ahead" and "Porgy and Be
	ss." In his autobiography\, Mr. Davis praises Mr. Jamal's special arti
	stic qualities and cites his influence. In fact\, the mid-to-late 1950
	's Miles Davis Quintet recordings notably feature material previously 
	recorded by Mr. Jamal: Squeeze Me\, It Could Happen To You\, But Not F
	or Me\, Surrey With The Fringe On Top\, Ahmad's Blues\, On Green Dolph
	in Street and Billy Boy. In 1956\, Mr. Jamal\, who had already been jo
	ined by bassist Israel Crosby in 1955\, replaced guitarist Ray Crawfor
	d with a drummer. Working as the "house trio" at Chicago's Pershing Ho
	tel drummer Vernell Fournier joined this trio in 1958 and Mr. Jamal ma
	de a live album for Argo Records entitled But Not For Me. The resultin
	g hit single and album\, that also included Poinciana -- his rendition
	 could be considered his "signature". This album remained on the Ten B
	est-selling charts for 108 weeks -- unprecedented then for a jazz albu
	m. This financial success enabled Mr. Jamal to realize a dream\, and h
	e opened a restaurant/club\, The Alhambra\, in Chicago. Here the Trio 
	was able to perform while limiting their touring schedule and Mr. Jama
	l was able to do record production and community work. Mr. Jamal was b
	orn on July 2\, 1930\, in Pittsburgh\, Pennsylvania. A child prodigy w
	ho began to play the piano at the age of 3\, he began formal studies a
	t age 7. While in high school\, he completed the equivalent of college
	 master classes under the noted African-American concert singer and te
	acher Mary Caldwell Dawson and pianist James Miller. He joined the mus
	icians union at the age of 14\, and he began touring upon graduation f
	rom Westinghouse High School at the age of 17\, drawing critical accla
	im for his solos. In 1950\, he formed his first trio\, The Three Strin
	gs. Performing at New York's The Embers club\, Record Producer John Ha
	mmond "discovered" The Three Strings and signed them to Okeh Records (
	a division of Columbia\, now Sony\, Records). Mr. Jamal has continued 
	to record his outstanding original arrangements of such standards as I
	 Love Your\, A Time For Love\, On Green Dolphin Street (well before Mi
	les Davis!)\, End of a Love Affair\, to cite a few. Mr. Jamal's own cl
	assic compositions begin with Ahmad's Blues (first recorded on October
	 25\, 1951!)\, New Rhumba\, Manhattan Reflections\, Tranquility\, Exte
	nsions\, The Awakening\, Night Mist Blues and most recently If I Find 
	You Again\, among many others.. In 1994\, Mr. Jamal received the Ameri
	can Jazz Masters award from the National Endowment for the Arts. The s
	ame year he was named a Duke Ellington Fellow at Yale University\, whe
	re he performed commissioned works the Assai String Quartet. A CD is a
	vailable of these works. In 1970\, Mr. Jamal performed the title tune 
	by Johnny Mandel for the soundtrack of the film Mash!\; and in 1995\, 
	two tracks from his hit album But Not For Me -- Music\, Music\, Music\
	, and Poinciana -- were featured in the Clint Eastwood film The Bridge
	s of Madison County. Mr. Jamal's CD entitled The Essence features teno
	r saxophonist George Coleman -- Mr. Jamal's first recording made with 
	a horn! Critical acclaim and outstanding sales resulted in two prestig
	ious awards: D'jango D'or"(critics) and Cloch (pronounced "shock" -- f
	or sales) in France. Its success generated a concert at Salle Pleyel (
	equivalent to Carnegie Hall)\, and a CD has been released Ahmad Jamal 
	a Paris (1992) and a second "live" concert by Mr. Jamal in l996 under 
	the same title\, unissued except in France and available on the Dreyfu
	s Records on the Internet\, Mr. Jamal rightly considers one of his bes
	t recordings. Ahmad Jamal's 70th Birthday "live" concert recording Oly
	mpia 2000\, is known as The Essence Part III. The Essence\, Part II\, 
	featured Donald Byrd on the title track\, and on his CD entitled Natur
	e\, Stanley Turrentine is featured on The Devil's In My Den\, and stee
	l drummer Othello Molineaux augments the trio format. Continuing his r
	ecording career\, Mr. Jamal released In Search of on CD\, and his firs
	t DVD Live In Baalbeck. 
LOCATION:Blue Note @ New York, United States
SEQUENCE:1209624610
UID:E0-001-008319896-3
URL:http://eventful.com/E0-001-008319896-3
END:VEVENT
END:VCALENDAR