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X-WR-CALNAME:Domy Books Monday Movie Nights in Houston at Domy Books -
	 Eventful
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DTSTART:20081013T000000
DTEND:20081124T000000
DTSTAMP:20081118T114137Z
SUMMARY:Domy Books Monday Movie Nights
DESCRIPTION: Times:  8:30pm-10:30pm Description: Domy Books\, in assoc
	iation with Domy Films\, is pleased to present\, Monday Movie Nights\,
	 curated by Brand X.October 13DemonsThey will make cemeteries their ca
	thedrals and the cities will be your tombs. Lamberto Bava (son of fame
	d Italian horror filmmaker Mario Bava) directs this creep fest as a gr
	oup of Berlin youths are trapped inside a movie theater and one by one
	 are turned into prey and possessed by demons. The movie is an entirel
	y original and fun film that shows just what horror used to be in the 
	80's. Co-written by Dario Argento\, this movie almost plays like one o
	f Romero's infamous zombie films. What makes it unique is how it tries
	 a different version of a well tread story and makes it something new.
	 The soundtrack is 80's excess with a bunch of American hair metal act
	s filling the bill. The movie itself goes down quick and is easily som
	ething you would watch over and over again as you prepare for Hallowee
	n. 1988\, 830-1030pm\, free admission RUNTIME: 102 minOctober 20The Th
	ingThe ultimate in alien terror. The 1982 remake of Howard Hawks' 50's
	 sci-fi gem\; it can be safely said that John Carpenter's remake is a 
	superior work of cinema. From the claustrophobic sense of paranoia tha
	t is abundant throughout the film to the groundbreaking special effect
	s that still amaze to this day\, The Thing is the definition of what a
	 great horror film should be. Kurt Russell stars as a helicopter pilot
	 named R.J. MacReady who's assigned to a U.S. outpost with a group of 
	scientists in Antarctica. When on an excavation mission they find some
	thing buried in the ice that changes humanity forever\, and that's jus
	t the beginning of the terror. 1982\, 830-1030pm\, free admission RUNT
	IME: 109 minOctober 27Dawn of the Dead (the original)When there's no m
	ore room in hell\, the dead will walk the earth. This is it! The undis
	puted king of zombie horror\, and considered by most to be one of the 
	greatest horror films of all time Dawn is more note worthy than most 
	of the genre due to the metaphysical questions it asks. Its stabs at c
	onsumerism and morality became benchmarks for horror films to come. Fo
	ur individuals flee a city that has been overrun by the reanimated\, f
	lesh craving\, corpses of the recently deceased. The plague is not exp
	lained\, and the scientific community has few ideas. After refueling t
	heir helicopter\, the group decides to make a pit stop at a local mall
	 before flying to the wilds of Canada. This is where most of the film'
	s setting takes place. Our group decides to hunker down and enjoy life
	 in the adequately stocked mall\, but soon realize that the utopia may
	 not be as perfect as they imagined. Dawn of the Dead marks the debut 
	of horror effects wizard Tom Savini. His makeup effects in the film in
	spired a new generation of artists. They are over the top and gory as 
	hell. Extremely graphic\, they set a new standard for gore effects. Th
	is film is the first sequel to Night of the Living Dead\, also directe
	d by George Romero. Co-produced by Italian horror director Dario Argen
	to\, it is considered to be responsible for jump-starting the European
	 zombie craze of the 70s and 80s. 1979\, 830-1030pm\, free admission R
	UNTIME: 126 minNovember 3Halloween 3The night no one comes home. Argua
	bly the most hated in the Halloween series\, the second sequel to John
	 Carpenter's Halloween strays away from the rest by not involving shap
	e-slasher\, Michael Myers. Nope\, instead Halloween 3 is about a sinis
	ter plot that involves brain washing\, moon rocks\, and an evil toy co
	mpany that makes really dated masks. Add to that another tour de force
	 performance from Tom Atkins and you have another Brand X Monday Night
	. One of the best parts about Halloween 3 is the score that producer\,
	 and the director of the first installment\, John Carpenter did for th
	e film. Creepy\, original and heavy with synths the movie is worth wat
	ching if for nothing else than an entirely original score. Not to forg
	et you get to continue with your Halloween celebration into November a
	s we kick off a month of political cinema. 1982\, 830-1030pm\, free ad
	mission RUNTIME: 96 minNovember 10They LiveYou see them on the street.
	 You watch them on TV. You might even vote for one this fall. You thin
	k they're people just like you. You're wrong. Dead wrong. Call it a si
	gn of the times. Whether you're talking about the decadent 80s from we
	nce it came or the current socioeconomic state our world finds itself 
	in\, you'll be hard pressed not to fins something to relate to in this
	 film. They Live is a brilliant satire on the old class vs. class stru
	ggle\; the elite vs. the down and out working class. Without a doubt p
	utting forth its message\, it takes unapologetic stabs at corrupt poli
	ticians\, the out touch upper class and those that would sell out thei
	r fellow man just to get a piece of the pie\; not to mention the shame
	lessness of advertisers. Professional wrestler\, Roddy Piper makes a b
	rilliantly entertaining performance as a man with no name character th
	at happens across the reality behind all the world's ills by putting o
	n a pair of sunglasses. Why not? It isn't pretty\, either I'd like to
	 say this film is more relevant today than it was when it was made\, b
	ut\, honestly\, things haven't changed all that much. Speaking persona
	lly\, as your humble synopsis writer\, I gave a copy of this film to m
	y former superior at a local corporation when my job\, along with many
	 others\, was sold out to a company overseas. I felt somewhat vindicat
	ed. 1988\, 830-1030pm\, free admission RUNTIME: 93 minNovember 17Marat
	hon Man (pictured) Dustin Hoffman plays a graduate student who trains 
	for marathon races as a hobby. When his brother (Roy Scheider) comes t
	o town for a visit and to deliver stolen diamonds for a Nazi in exile 
	played by Sir Laurence Olivier\, Hoffman's character becomes a victim 
	of an international cat and mouse game and is hunted by the sadistic N
	azi. A fantastic thriller and classic a Hoffman picture. 1976\, 830-10
	30pm\, free admission RUNTIME: 125 minNovember 24Network"NETWORK"... t
	he humanoids\, the love story\, the trials and tribulations\, the savi
	or of television\, the attempted suicides\, the assassination -- it's 
	ALL coming along with a galaxy of stars you know and love! Howard Beal
	e (Peter Finch) finally reached his breaking point\, unfortunately on 
	the nightly news and in front of millions of viewers. While initially 
	punished\, Beale is eventually brought back into television's fold. At
	 first to high ratings and supervisor smiles\, quickly though\, his ho
	nest truth becomes too much for the manufactured truth of the networ
	k. A dark comedy through and through\, Network does not just show us t
	he cutthroat\, ratings driven underside of television\, it shows us ho
	w broken the human condition has become\, from the bosses and creators
	 down to the consumer humanoids\, we're shown what we traded at the al
	ter of the cathode ray gun. The film\, with strong performances from F
	aye Dunaway\, William Holden\, Robert Duvall\, and Ned Betty\, receive
	d numerous Academy Awards\, including the only posthumous award given 
	to Peter Finch. In the end\, Network is not simply a cinematic take on
	 television\, but a film that leaves the viewer questioning everything
	 they think they know\, including their own humanity. 1976\, 830-1030p
	m\, free admission RUNTIME: 121 min
LOCATION:Domy Books @ 1709 Westheimer, Houston, Texas 77098 United Sta
	tes
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