Domy Books Wednesday Movie Nights

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Domy Books

July 15-August 26, 2009

Domy Books, in association with Movies!  The Store, is pleased to present,  Wednesday Movie Nights, curated by Movies! The Store.

July 15
Brick

High school collides with hard-boiled film noir in the twisty, cunning Brick. When he gets a mysterious message from his ex-girlfriend, a high school loner named Brendan (Joseph Gordon-Levitt, Mysterious Skin) starts to dig into a crisscrossed web of drugs and duplicity, eventually getting entwined in the criminal doings of a teenage crime lord known as the Pin (Lukas Haas), his thuggish henchman Tugger (Noah Fleiss, Joe the King), and a mysterious girl named Laura (Nora Zehetner, Fifty Pills). Brick has not only the seductive, labyrinthine plot of a crime thriller by Dashiell Hammett (The Maltese Falcon) or Raymond Chandler (Farewell, My Lovely) but also a dense high-school version of hard-boiled lingo that's both comic and poetic.

The movie unfolds with headlong momentum as Brendan manipulates, fights, and staggers his way through layers of high-school society. Gordon-Levitt is excellent; between this and the equally compelling Mysterious Skin, he's left his 3rd Rock from the Sun days behind. Also featuring Meagan Good (Waist Deep) and Richard Roundtree (Shaft). --Bret Fetzer

2005, 830-1030pm, free admission
RUNTIME: 110 min

July 22
Tell No One

Based on the book by American author Harvey Coben, this French suspense thriller is one of those exhilarating word-of-mouth gems one can't to tell everyone about. Francois Cluzet stars as Alex, a pediatrician whose beloved wife, Margot (Marie-Josee Croze) was shockingly murdered eight years before. As the anniversary of her death approaches, Alex begins to receive cryptic emails and a video that seems to suggest that she is alive. The discovery of two long-buried bodies at the crime scene turn Alex into some kind of Hitchcockian Everyman, implicated in a crime he could not possibly have committed. But when he makes a mad dash from the police who visit him at his office, he seems to have signed his own confession.

This synopsis doesn't even begin to hint at the genuinely exciting and surprising twists, turns, and revelations that await Alex in this Chinese box of a mystery. Brilliantly acted by an ensemble that includes Kristin Scott Thomas and French movie icon Jean Rochefort (Pardon Mon Affaire), Tell No One invites repeat viewings, the better to appreciate the intricacies of its plotting and construction. And if you think you have it figured out, there's this from one character who tells Alex at a climactic point, "Wait, there's more." --Donald Liebenson

2006, 830-1030pm, free admission
RUNTIME: 125 min

July 29
Invasion of the Body Snatchers

Jack Finney's classic science fiction novel has been the basis of three big-screen adaptations, beginning with the 1956 chiller Invasion of the Body Snatchers and most recently as 1994's underrated Body Snatchers. This acclaimed 1978 version from director Philip Kaufman (The Right Stuff) is every bit as creepy as the '56 original, and it fits perfectly into the cycle of paranoid thrillers that thrived in American movies of the 1970s. Kaufman stylishly directs from an intelligent screenplay by W.D. Richter, while Donald Sutherland and Brooke Adams lead a distinguished cast (including Jeff Goldblum, Leonard Nimoy, and Veronica Cartwright) and must fight for survival as the population of San Francisco is systematically cloned by alien "pods" from a distant, dying planet. The atmosphere of dread and paranoia grows increasingly intense as the complexity of the alien invasion is gradually revealed, until nobody can be trusted to be who they appear.

Finely tuned performances enhance the film's eerie atmosphere, highlighted by moments that will lurk in your memory long after the movie's over. MGM's DVD release includes a full-length audio commentary by Kaufman, a "pod culture" retrospective, Body Snatchers trivia, production notes, and the original theatrical trailer. --Jeff Shannon

1978, 830-1030pm, free admission
RUNTIME: 115 min

August 5
GAME 6

Game 6, the first produced screenplay by acclaimed novelist Don DeLillo (White Noise), follows the obsession of a playwright, Nicky Rogan (Michael Keaton), whose beloved jinxed Red Sox are playing game six of the 1986 World Series--the same night Rogan's new play opens on Broadway. The stories that intersect to construct this ominous character study are woven by stellar performances by a first-rate cast, including Keaton, who gives a not-quite-unraveled reading that reminds us what a strong character actor he can be.

Around Keaton is a fine ensemble, including a brittle Catherine O'Hara as his estranged wife ("Nicky, I'm seeing a prominent divorce attorney." "How prominent?" "He has his own submarine."); Bebe Neuwirth as his high-strung paramour; Griffin Dunne as an unglued fellow writer; and Robert Downey Jr. as a Buddhist theater critic whose ruinous reviews are as deadly as the loaded gun he takes to premieres. If the plot is a little far-fetched (and the climactic scene preposterous), the audacious writing and gripping performances more than make up for it. As Rogan says, "Winning is easy; losing is complicated." --A.T. Hurley

2005, 830-1030pm, free admission
RUNTIME: 87 min

August 12
Small Time Crooks

After a run of serious-tinged comedies like Deconstructing Harry, Celebrity, and Sweet and Lowdown, Woody Allen turns to pure farce with the lightweight, appealing Small Time Crooks, the sunniest film Allen's made in years. Doing a 180 from his nebbishy intellectual persona, Allen plays a less-than-smart ex-con named Ray, who can't even keep a dishwasher job and is perennially supported by his wife Frenchy (Tracey Ullman).

When Ray hatches a plot to lease a storefront near a bank and tunnel into the bank's vault, Frenchy is skeptical about putting their life savings behind the scheme, especially after meeting Ray's dim-bulb trio of support (Michael Rapaport, Jon Lovitz, and Tony Darrow, all sublimely ridiculous) and learning she's supposed to provide the front by opening up a cookie store. Soon enough, their get-rich-quick scheme pays off, but not the way they anticipated, and they're suddenly swimming in money and bad taste. All of Allen's farcical shenanigans are basically a setup for a look at Ray's and Frenchy's diverging paths--she wants culture and upper-class acceptance, he wants pizza in front of the TV and poker with his pals.

Soon, the lowbrow Frenchy enlists a fortune-digging art broker (Hugh Grant) to make her a lady, and Allen plans a high society robbery with the help of Frenchy's dimwit cousin (Elaine May, who makes an art form of comic stupidity). It's absolutely refreshing to see Allen making a blithely happy film after wrestling with angst over the past few years; watching Allen play a dumb schlemiel is a treat that's been sorely missed. And in Ullman he's found a leading lady who can match him line for line; she wisely resists the urge to overplay Frenchy's crassness and comes up with a finely modulated characterization that makes her relationship with Ray the film's warm, heartfelt core. We'd almost forgotten Woody Allen could be this fun and goofy; it's good to see that part of him back in form. --Mark Englehart

2000, 830-1030pm, free admission
RUNTIME: 95 min

August 19
Stuck

Stuck, a cunning and energetic thriller, takes its premise from the real-life incident of a woman who hit a homeless man, then drove home and parked the car in the garage--with the man wedged halfway through her windshield. The genius of Stuck is that it not only squeezes every possible drop of gruesomeness out of this event, it also portrays everyone involved as a fully-rounded human being. Brandi (Mena Suvari, American Beauty), the driver, is a nurse at a retirement home who genuinely cares about her patients and is struggling for a promotion; for Tom (Stephen Rea, The Crying Game), being hit by a car is only the latest in a long line of misfortunes and indignities.

But this is no earnest tragedy--instead, when the movie seems about to become a grim psychological portrait of denial and trauma, it shifts into high gear as a brutally funny black comedy. Director Stuart Gordon, best know for the over-the-top horror of Re-Animator, keeps most of Stuck slyly underplayed, to superb effect. The simple but effectively constructed script zips along, zigging and zagging within a very tightly framed situation. Suvari, Rea, and the rest of the cast (including excellent newcomers Russell Hornsby and Rukiya Bernard) commit to every emotional twist, turning from suspense to satire with adroit skill. This movie was made on a modest budget but has more thrills, laughs, and genuine tingles up and down the spine than all the special effects money can buy. A gem of tight, effective filmmaking. --Bret Fetzer

2007, 830-1030pm, free admission
RUNTIME: 85 min

August 26
Sweet Land

Adapted from a Will Weaver story, Ali Selim's Sweet Land is a truly sweet story about unlikely immigrant lovers whose struggle for integration into 1920's America earns them a work ethic more American than many of their narrow-minded neighbors. Set in rural Minnesota, the sentimental film focuses on tribulations that Scandinavian settlers experienced, with a cinematic serenity reminiscent of Terrence Malik's Days of Heaven.

Norwegian farmer Olaf Torvik (Tim Guinee) invites a non-English speaking German siren, Inge Alltenburg (Elizabeth Reaser), to relocate and marry him, but discovers that neither the town's Lutheran pastor (John Heard) nor the local judge will marry a German into their community for fear of wartime German spies. Inge finds friendship in neighbors Frandsen (Alan Cumming) and his wife, Brownie (Alex Kingston), who disregarding local gossip, welcome her into their home. Finally, Inge proves herself, settling in so that Sweet Land's historical narrative is framed by Inge, fifty years later, speaking to her adult son about her husband's death and their plot of land.

This multi-generational tale of social acceptance and land ownership is ultimately the story of America, though the regional specificity of Sweet Land will speak especially to those familiar with Midwestern culture. --Trinie Dalton

2005, 830-1030pm, free admission
RUNTIME: 111 min