When
Jul 20, 2008 (Sunday)
Where
Indiana University - Bloomington (map)
107 S Indiana Avenue
Bloomington, Indiana 47405-7000
Bloomington, Indiana 47405-7000
39.166462
-86.526924
Who
No performers specified
What
Location: IU Art Museum Calendar: Arts Week IUB, IUB Arts & Entertainment Calendar, IUB Lectures, Meetings & Conferences, IUB Museum & Gallery Events Contact: Send e-m...
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Event details
Cost
FreeDescription
Location:
IU Art Museum
Calendar:
Arts Week IUB, IUB Arts & Entertainment Calendar, IUB Lectures, Meetings & Conferences, IUB Museum & Gallery Events
Contact:
Send e-mail
Description:
Gallery of Asian and Ancient Western Art, second floor Kobayashi Kiyochika (18471915) was a Japanese artist who produced woodblock prints during the Meiji period (18681912), a time of increased economic and cultural exchange between Japan and the West. Although Kiyochika was largely self-taught, evidence suggests that he studied not only with masters of traditional Japanese painting, but also with the English news illustrator Charles Wirgman (18321891). Kiyochika successfully bridged eastern and western artistic approaches by fusing the schematic, linear designs associated with traditional Japanese art with western conventions of depth and shading. This installation was organized by Liz McGoey, Art History graduate student in the Henry Hope School of Fine Arts.
IU Art Museum
Calendar:
Arts Week IUB, IUB Arts & Entertainment Calendar, IUB Lectures, Meetings & Conferences, IUB Museum & Gallery Events
Contact:
Send e-mail
Description:
Gallery of Asian and Ancient Western Art, second floor Kobayashi Kiyochika (18471915) was a Japanese artist who produced woodblock prints during the Meiji period (18681912), a time of increased economic and cultural exchange between Japan and the West. Although Kiyochika was largely self-taught, evidence suggests that he studied not only with masters of traditional Japanese painting, but also with the English news illustrator Charles Wirgman (18321891). Kiyochika successfully bridged eastern and western artistic approaches by fusing the schematic, linear designs associated with traditional Japanese art with western conventions of depth and shading. This installation was organized by Liz McGoey, Art History graduate student in the Henry Hope School of Fine Arts.
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